Girr Nhama from Return to Warrumbungle was recorded by Moorambilla Voices at the Sydney Opera House’s Centre for Creativity for inclusion on an upcoming album. The recording captures the work’s reflection on connection to land, community, and night sky.

moorambillarecording

I directed Polyphony Discotheque, a concert at Leichhardt Town Hall on 29 November 2025 celebrating the dancefloor as a space of queer joy, resistance, and collective release. Blending shimmer, nostalgia, and emotional depth, the program invited audiences into a shared world of light, movement, and connection.

Polyphonydiscotheque

My collaborative release After the Shipwreck, created with guitarist Luke Patterson, was released on ABC Classic. The recording brings together intimate vocal and instrumental textures in a reflective exploration of aftermath, memory, and renewal.

Abccommision

Return to Warrumbungle premiered at the Dubbo Regional Theatre on 26–27 September 2025 for the Moorambilla Voices Gala Concert. Reflecting on cycles of land, sky, and belonging, the three-movement work explores return, connection, and the enduring guidance of the stars.

Moorambillagala

My chamber work Breathwork premiered in the Utzon Room at the Sydney Opera House on 25 September 2025 as part of Omega Ensemble’s New Now series. Shaped by rhythms of swimming, memory, and grief, the piece traces a cyclical path toward balance, restoration, and quiet persistence.

Omegaensemble

I created the sound design and original score for Michael Louis Kennedy’s one-hander The Balloon Dog Bites, blending children’s party chaos with the operatic grandeur of Leoncavallo’s Pagliacci. The production received strong critical response, earning multiple four- and five-star reviews.

Balloondogbites

My first concert with the Polyphony Choir realised the late Jack Colwell’s final curated program, presented at Leichhardt Town Hall on 21 June. Shaped by ritual, resilience, and collective joy, the performance honoured Jack’s legacy while celebrating the healing power of singing together.

Polyphonywildcombination

I undertook an artistic immersion on Gamilaraay Country across Baradine, Coonabarabran, and the Warrumbungles, engaging with Aboriginal astronomy and language. Guided by cultural knowledge holder Justin Welsh, the experience deeply enriched my creative and cultural understanding.

Moorambillaimmersion

 I am myself premiered in Verbrugghen Hall as part of the Sydney Conservatorium’s 125th anniversary Greenaway Series, setting a poem by Australian writer Rae White. The work reflects on uncertainty, identity, and belonging, offering an expressive anthem of queer joy and shared community.

My orchestral work Inkling premiered in the Great Hall of the University of Sydney as part of SUSO’s Unfinished Business concert. Written during the 2021 lockdown, the piece explores playful curiosity and small moments of joy, made especially meaningful by my earlier years performing in the orchestra as a violist.

In 2025, I was selected for Omega Ensemble’s CoLab Composer Development Program, taking part in workshops from April to September. This opportunity included mentorship from leading composers Nigel Westlake, Elena Kats-Chernin, Missy Mazzoli, Nico Muhly, Chris Cerrone, and Holly Harrison.

Converted! is a new musical I co-created with Vic Zerbst, presented by ATYP as part of the 2025 Sydney Festival. The work blends sharp humour with heartfelt storytelling and connected warmly with festival audiences. Winner of the Sydney Theatre Award for Best Production for Young People.

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More coming soon.

More coming soon.

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